
James Blood Ulmer- ARE YOU GLAD TO BE IN AMERICA? Rough Trade 1980
Today is James Blood Ulmer's 70th birthday:
He was born in St.Matthew's, South Carolina in 1942.
This is another Ulmer l.p. from around the same period as my previous post.
That is- from early in his recording career as a leader.
This record features the same line-up as the Music Revelation Ensemble's first l.p,(1981) with the addition of a second drummer- G.Calvin Weston (from Ornette Coleman's Prime Time),
alto sax player Oliver Lake, Trumpeter Olu Dara and a rhythm guitarist-William Patterson (on track 4 only).
This record fits the "jazz-funk" designation better than does the Music Revelation Ensemble l.p, and at times (especially on track one) sounds very much like Prime Time, with Calvin Weston's funk rhythms having a lot to do with that. Otherwise, it's a typical Ulmer "pedal to the metal" straight-ahead free jazz-inflected improvising session. Solid stuff.
This is a strange recording, however. The sound is dry and lacks a certain definition.(Especially in the horns).
Some of the tracks fade out at odd moments or are cut off abruptly. One can only guess as to the reasons- too many solos? Solos too long? A desire to have more compositions represented? Disintegration in performance? Since Ulmer has production and mixing credits, one can only presume the result satisfied him. In any case- "Rough 16" is an apt catalogue number. Especially when compared with "Freelancing", from the same period, which is very similar, but- to my memory- more polished.

Side One:
1- Layout
2- Pressure
3- Interview
4- Jazz Is The Teacher (Funk Is The Preacher)
5- See-Through
Side Two:
6- Time Out/
7- T.V. Blues
8- Light Eyed/
9- Revelation March/
10- Are You Glad To Be In America?
James Blood Ulmer- Guitar, Vocals
David Murray- Tenor Saxophone
Oliver Lake- Alto saxophone
Olu Dara- Trumpet
Amin Ali- Bass
Ronald Shannon Jackson- Drums
G. Calvin Weston- Drums
William Patterson- Rhythm Guitar (track 4 only)
Recorded 17th January, 1980, R.C.A. Studios, NYC.
I have had to leave certain tracks linked together (/) as separating them would add an ugly pause to the music.
(1) or (1)

