Showing posts with label Joel Gressel. Show all posts
Showing posts with label Joel Gressel. Show all posts

Sunday, March 18, 2007

Electronic Music Winners


various artists compilation - Electronic Music Winners

* originally posted on July 30, 2006

There was an electronic music competition that took place in the 1970s and the best pieces chosen by the judges were put on this record. Here's more information about this contest:

In the autumn of 1974, the League of Composers-International Society for Contemporary Music, U.S. Section, organized an International Electronic Music Competition, the first undertaken by the organization. Tapes of electronic music compositions were solicited from composers and electronic music studios all over the world. A distinguished panel agreed to select the winners.

The judges were:
Bulent Arel, composer and Professor of Music at the State University of New York at Stony Brook.
Mario Davidovsky, Pulitzer prize-winning composer, Co-Director of the Electronic Music Center of Columbia and Princeton Universities, and Professor of Music at City College of New York.
Jean Eichelberger Ivey, composer and teacher of composition and electronic music at Peabody Conservatory of Music.
J.K. Randall, composer and Professor of Music at Princeton University.

129 tapes representing composers from 15 countries were entered in the competition. Each judge listened to each tape individually, and then the judges met as a group to make their final selections. During the entire judging process, the tapes were placed in unlabeled boxes and identified only by numbers.
The winning compositions are presented in this album. It should be noted that no distinctions were made between the winning compositions, and that the order of works presented on the recording does not signify a ranking. Program notes and biographical material have been provided by the composers.
As President of the League-ISCM and coordinator of the International Electronic Music Competition, I feel that these works, besides being excellent pieces of music, represent a wide spectrum of approaches, attitudes, styles, and technical procedures that will give the listener much enjoyment and, also, an understanding of the breadth and sophistication of current electronic music. (Hubert S. Howe, Jr.)

Tracklisting:

Side 1

1. Maurice Wright - Electronic Composition {5:12}

2. Joel Gressel - Points In Time {6:50}

3. Daria Semegen - Electronic Composition No. 1 {5:37}

4. Menachem Zur - Chants For Magnetic Tape {3:50}

Side 2


1. Richard Cann - Bonnylee {1:22}

2. Arthur Kreiger - Short Piece {2:34}

3. Paul Lansky - mild und leise {17:39}

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Computer Generations


various artists compilation - Computer Generations

Originally posted on July 26, 2006

From the back cover:

This recording contains three 'generations' of computer composers whose music uses three generations of computer music languages. The late Godfrey Winhamis recognized as a prime force in the development of computer music - he was responsible for the FORTRAN version of Music IV, the original program developed in 1960 by Max Matthews of Bell Telephone Laboratories. Barry Vercoe was Winham's student at Princeton and there invented a more streamlined language, Music 360, now in wide use. The newer Music-11 system was developed by Vercoe at M.I.T. Richard Hoffmann and Joel Gressel did their work at M.I.T. and Princeton respectively. Hoffmann using Vercoe's Music-11 and Gressel using Music 360.

Tracklisting:

1. Godfrey Winham - N P (Two Pieces For Computer-Synthesized Sound) {2:42}

2. Barry Vercoe - Synapse For Viola and Computer {5:20}

3. Richard Hoffmann - In Memoriam Patris {6:55}

4. Joel Gressel - Crossings {8:36}

5. Joel Gressel - P-Vibes: Three Canons {8:35}

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